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Saturday, December 20, 2008

Piss Missile


Piss Missile - These bloopers are hilarious
A documentary about the epic band "Piss Missile"

Thursday, December 18, 2008

The 100 Greatest Guitarists of All Time

1Jimi Hendrix
2 Duane Allman of the Allman Brothers Band
3 B.B. King
4 Eric Clapton
5 Robert Johnson
6 Chuck Berry
7 Stevie Ray Vaughan
8 Ry Cooder
9 Jimmy Page of Led Zeppelin
10 Keith Richards of the Rolling Stones
11Kirk Hammett of Metallica
12 Kurt Cobain of Nirvana
13 Jerry Garcia of the Grateful Dead
14 Jeff Beck
15 Carlos Santana
16 Johnny Ramone of the Ramones
17 Jack White of the White Stripes
18 John Frusciante of the Red Hot Chili Peppers
19 Richard Thompson
20 James Burton
21 George Harrison
22 Mike Bloomfield
23 Warren Haynes
24 The Edge of U2
25 Freddy King
26 Tom Morello of Rage Against the Machine and Audioslave
27 Mark Knopfler of Dire Straits
28 Stephen Stills
29 Ron Asheton of the Stooges
30 Buddy Guy
31 Dick Dale
32 John Cipollina of Quicksilver Messenger Service
33 & 34 Lee Ranaldo, Thurston Moore of Sonic Youth
35 John Fahey
36 Steve Cropper of Booker T. and the MG’s
37 Bo Diddley
38 Peter Green of Fleetwood Mac
39 Brian May of Queen
40 John Fogerty of Creedence Clearwater Revival
41 Clarence White of the Byrds
42 Robert Fripp of King Crimson
43 Eddie Hazel of Funkadelic
44 Scotty Moore
45 Frank Zappa
46 Les Paul
47 T-Bone Walker
48 Joe Perry of Aerosmith
49 John McLaughlin
50 Pete Townshend
51 Paul Kossoff of Free
52 Lou Reed
53 Mickey Baker
54 Jorma Kaukonen of Jefferson Airplane
55 Ritchie Blackmore of Deep Purple
56 Tom Verlaine of Television
57 Roy Buchanan
58 Dickey Betts
59 & 60 Jonny Greenwood, Ed O’Brien of Radiohead
61 Ike Turner
62 Zoot Horn Rollo of the Magic Band
63 Danny Gatton
64 Mick Ronson
65 Hubert Sumlin
66 Vernon Reid of Living Colour
67 Link Wray
68 Jerry Miller of Moby Grape
69 Steve Howe of Yes
70 Eddie Van Halen
71 Lightnin’ Hopkins
72 Joni Mitchell
73 Trey Anastasio of Phish
74 Johnny Winter
75 Adam Jones of Tool
76 Ali Farka Toure
77 Henry Vestine of Canned Heat
78 Robbie Robertson of the Band
79 Cliff Gallup of the Blue Caps (1997)
80 Robert Quine of the Voidoids
81 Derek Trucks
82 David Gilmour of Pink Floyd
83 Neil Young
84 Eddie Cochran
85 Randy Rhoads
86 Tony Iommi of Black Sabbath
87 Joan Jett
88 Dave Davies of the Kinks
89 D. Boon of the Minutemen
90 Glen Buxton of Alice Cooper
91 Robby Krieger of the Doors
92 & 93 Fred “Sonic” Smith, Wayne Kramer of the MC5
94 Bert Jansch
95 Kevin Shields of My Bloody Valentine
96 Angus Young of AC/DC
97 Robert Randolph
98 Leigh Stephens of Blue Cheer
99 Greg Ginn of Black Flag
100 Kim Thayil of Soundgarden

Top 5 Guitar Players of All Time

Recently I was again reminded of Rolling Stone’s Top 100 list of guitar players, and it really made me start thinking. Since starting GuitarPlayerZen, I’ve really realized that it is pretty much impossible to come out with any kind of objective rating scale on guitarists. Hell, I know probably more than 100 guitar players that are our Myspace Friends or one of our Featured Guitar Players that could objectively “smoke” some of these guys.

It is, however, very interesting to see what players are influential to other great musicians. Whenever I hear a new talented guitarist, I immediately begin to wonder what guitar players he/she grew up listening to and idolizing. Finding out who one’s top influences are is a great way to discover new talent, I also feel is a great exercise in understanding and appreciation for all musical genres. You might not like metal, but there is something that can be greatly appreciated in the playing of Dragonforce, or Dimebag. You might not be into country chicken pickin’, but man Brent Mason can play the hell outta a guitar.

We would love to hear who your Top 5 Guitarists are in our comments. We could all benefit from it and maybe even discover some new players we have never heard of before!

Anyways, keep reading for the Rolling Stone’s Top 100 Guitar Players List and let us know what you think about it at the end of the post

Guitar Tube 2 - Chicken Picking Lesson

Guitar Hero III - The Metal - Expert - 100% - Full Combo


Guitar Hero III - The Metal - Expert - 100% - Full Combo - The funniest home videos are here

Guitar Hero 3, How to Tap the Intro on Ttatf


Guitar Hero 3, How to Tap the Intro on Ttatf - The most amazing bloopers are here

Acoustic Guitar Blues Jam - NickyDaMan With Schwartzee


Acoustic Guitar Blues Jam - NickyDaMan With Schwartzee - The funniest movie is here. Find it




NickyDaMan's Original Riff with tasty licks and bodacious shredding!

Friday, November 28, 2008

EZ Guitar Tabs

Quick access to guitar tabs of your favorite tunes. Add in the song title, artist/band and any other details you would like to. Store and manage your top picks in one easy-to-use location.
  • Built-in ability to Search your own collection, or search the web for tabs
  • Sort by title, artist, album, genre, and year
  • Add as many tabs as you want
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  • Add additional notes and a picture for each tab entry
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Thursday, November 27, 2008

Berklemusic-Triads in Root Position 3 (cont.)

Now let's try the same triads, only in a different order. In contemporary, jazz, and popular music, chords frequently move in intervals of a fourth up (or a fifth down). If we move from chord to chord by intervals of a fourth, we arrive at what is called the cycle of fourths, also known as "cycle 4," shown below. A cycle is defined as a series of events that recur regularly and usually lead back to the starting point. If you start at any note and continue around the wheel to the note that is up by a fourth, you will eventually end up back at the same note. In so doing, you will have covered all twelve notes in the chromatic scale, without repetition.

This serves as a useful reference to allow you to take anything through all twelve keys. Although not as intuitive as half-step motion on the guitar neck, knowledge of this set of key relationships will help prepare you to play the countless songs whose chords move in intervals of fourths, including thousands of blues, rock, r&b, and jazz tunes. If this is new to you, don't worry. You'll get a lot of practice with it. In fact, let's start using this approach to the twelve keys now.

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/L1-ex5.pdf

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.5a.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.5a_2.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.5b.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/ex1.5b_2.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.5cw.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.5cn.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.6a2.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.6a2m.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.6b.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.6bm.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.6c.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.6cm.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.7a.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.7am.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.7b.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.7bm.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.7c.mp3.mp3

http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.7cm.mp3

Berklemusic-Triads in Root Position 2 (cont.)

To get used to the sound of the major triad, let's practice playing major triads up the fretboard, one fret at a time, on the top string set 1-2-3. While difficult to execute on most musical instruments, moving up one fret at a time, also called "in half-steps," on the guitar neck is one of the easiest ways to accustom yourself to a voicing shape.

1. Play major triads in all twelve keys, moving up the fretboard one fret at a time, in half steps on the first set of three strings, as shown in figure 1.1 of page 1. Play a triad based on each of these notes.

Please Note: All playing exercises include an Interactive Exercise (Guitar Pick button) which allows you to follow and play along with the music, as well as MP3 and PDF downloads that allow you to practice at your own pace. It is recommended to download the latest version of Adobe Acrobat Reader to view all PDF downloads.
http://www.berkleemusic.com/welcome/freelessons/guitar/assets/L1-ex3a.pdf
http://www.berkleemusic.com/welcome/freelessons/guitar/assets/lesson1MP3s/Ex1.3b.mp3

Berkleemusic-Triads in Root Position

Major Triads

A chord is a set of three or more notes sounded simultaneously. If the notes are played one after the other, it is called an arpeggio.

Triads are three-note chords. They are built upwards in intervals of thirds from a fundamental note, called a root, which is like the tonic of a scale. The major triad includes the tonic, third, and fifth of the major scale built on the triad's root.

Each of these notes is described by a number corresponding to its scale degree (or interval) away from the root: 1, 3, 5. These numbers are referred to as "functions," as in "E functions as the third of a C major triad."

Play the following C major scale, triad, and arpeggio now.


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including songwriting, arranging, production, education, music business,
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